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He hadn’t been onboard for the band’s most successful early phase, having joined in 1968 but the group was still touring.

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Let’s explore the story of the local production of , but firstly, by way of introduction, it’s worth considering some musical, social and cultural background.Various Jesus Festivals were staged in the US, perhaps in emulation of the famous rock festivals such as Monterey Pop, Woodstock Music & Art Fair, or Atlanta International Pop, but with a religious focus.Anything to keep the youth of the day engaged with the Almighty.Call it exploitation if you will, but people need entertainment, and by any measure these were successful ventures.Here in Australia, the Jesus Rock buzz took hold as well. Miller and Robert Stigwood (former managing director of Brian Epstein’s NEMS Enterprise and head of his own Robert Stigwood Organisation which oversaw the work of the Bee Gees) were quick off the mark.It wasn’t a particularly radical approach, as some nay-sayers would have it.

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